Anton Janizewski Berlin

Emma Adler’s works visualize the dynamics that far-right movements have developed and examine the role of technology in accelerating the transmission of their doctrine. Marc Henry’s paintings transform digital source material into pseudo-narratives that blur personal memory, reflecting on the manipulative potency of the image. Both positions intersect in their examination of the construction and instrumentalization of truth in both historical and contemporary contexts.

Emma Adler (*1980, based in Berlin) creates multimedia installations that explore the notion of the “fake” as a subject in its own right. Recent presentations include Zeppelin Museum Friedrichshafen, Saarländische Galerie, Berlin, and Caprii Sies + Höke, Düsseldorf. In 2025, she received the Goethe-Institut scholarship at Villa Kamogawa, Kyoto.

Marc Henry (*1996, based in Vienna) creates paintings that reflect on societal dynamics, politics, and macroeconomics. In 2026, he will present a solo exhibition at Neuer Aachener Kunstverein. His work has been shown at Belvedere 21, Vienna; Palais Rasumofsky, Vienna; Galerie Kandlhofer, Vienna; Kunsthalle Oktogon, Hitzacker; and Schlossmuseum Murnau.