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Ni Hao (b. 1989, Taiwan) investigates power structure, consumerism, and violence aesthetics in his practice by utilizing various mediums such as sculpture and video. Ni's practice constantly provokes political metaphor or personal memories behind seemingly familiar objects. Resulting from an inward examination of the domestic setting, the Grid series identifies an intimate yet vulnerable relationship between the body and the bathroom space, meanwhile scrutinizing bodily rituals popularized under capitalist consumerism.