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For Claflin painting is always an open ended. Her works embody their own mood, so much so that the mood becomes a being itself. She gives body to conflict, amplifies subjectivity, and highlights the feedback-looping maximalisms of the moment. Non paint materials are collected from her everyday and contribute to a work which is useful to think of as “mostly painting” - a guide, a mix tape, asking you to consider one thing and then the next while you still have the last thing stuck in your head.